MJ the Musical
Prince Edward Theatre
booking until 28th February 2026
The last time I saw Michael Jackson perform was in a curry house in Eton. Not the real Michael, of course – but one of those impersonators who hilariously moonwalk between tables, fed by admiration and tikka masala. When I heard I was reviewing MJ the Musical, I did my own kitchen moonwalk. I grew up with MJ’s music – Thriller, when it came out, wasn’t just a song; it was an event. I’ve followed his career and his life ever since – the brilliance, the controversy, the tragedy. So I was curious: how would this West End musical, imported from Broadway, handle a legacy so complex and fragile?
The answer: with dazzling showmanship, remarkable choreography, and a sprinkling of selective storytelling. This isn’t the complete portrait of Michael Jackson – more an exploration of his relentless drive and perfectionism, and a celebration of his talent.
The book by Lynn Nottage frames the story as a behind-the-scenes look at Jackson preparing for his 1992 Dangerous tour. The narrative itself focuses mainly on his artistry and ambition, exploring his childhood and hinting at his demons but carefully avoiding the darkest chapters. Yet despite the omissions, the production’s energy is irresistible. When the band kicks in and MJ unleashes those iconic moves, the audience is spellbound.
Jamaal Fields-Green plays MJ and he’s extraordinary. He doesn’t impersonate Jackson; he inhabits him – the whispery voice, the falsetto flourishes, the fragility, the nervous energy that bursts into brilliance the moment the music starts. His physical control is astonishing: every flick of the wrist, every pivot and glide feels both precise and spontaneous. The younger versions of Michael are a joy to watch and bring real heart to the flashback sequences, reminding us of the price of perfection drilled into him from childhood.
Director and choreographer Christopher Wheeldon (best known for his work in ballet and An American in Paris) delivers choreography that dazzles and pays respectful homage without slipping into imitation. The ensemble is razor-sharp, and both the big numbers and quieter moments land with spine-tingling intensity.
The musical direction, set and lighting slide us seamlessly between rehearsal rooms, concerts, and memory sequences, creating a rhythm that mirrors Jackson’s restless creativity. There are times when the story feels a little fragmented, when a song frustratingly stops part way through, but there are also moments of pure genius. In one sequence we seamlessly transition from studio to graveyard to awards do. And there is humour too. MJ tells us that if the production fails to deliver on a clever stunt he’s dreamt up, God will give the idea to Prince.
MJ the Musical isn’t trying to make peace with Michael Jackson’s ghosts. But in line with MJ’s aspirations of creating something ‘beautiful, magical, scary and dangerous’ the show is an absolute triumph. As MJ hauntingly sings A Man in the Mirror and the show comes to an exhilarating end, the audience is left wanting more. An absolute thrill from start to finish.
MJ the Musical is playing at The Prince Edward Theatre in London until ……..
Reviewer: Klara Kallis